Sweet Home Quilt Along - Week 5

Sweet Home Quilt Along - Week 5

Welcome to the fifth week of the Sweet Home Quilt along hosted by (me) Sharon Holland, Maureen Cracknell, and Jennifer Jones. It’s been fun to connect with the Sweet Home quilt makers on our Instagram community and here on our blogs. The quilts being made are so adorable—see what I mean when you search the #SweetHomeQAL hashtag on Instagram.

If you’re just joining us you’ll probably want to pop over to the Sweet Home Quilt Along - Week 1 post to get caught up. You can purchase the Sweet Home quilt pattern from my SHOP here.

The quilt along will run six weeks total and we’ll cover a different aspect of piecing or finishing for that week. Some of you are working ahead and that’s wonderful—it’ll give you more time for the quilting and finishing portion. This quilt along is very relaxed. If you feel like completing the top in a week—go for it! But, if you’re a beginner and want more instruction along the way—we have that too in the form of LIVE and recorded Instagram tutorials over on my IGTV channel on Instagram. I’ve recorded step by step tutorials for you to access on my @sharonhollanddesigns IGTV channel on Instagram and so far the Sweet Home Quilt series covers fabric selection, Log Cabin block, and Bungalow block construction.

Assembly and Finishing

We’ve got a lot to cover this week as we assembly our quilt sandwich, quilt, and bind our Sweet Home quilts. Luckily, I’ve covered different aspects of how to quilt a quilt on my other Sew Alongs and Tutorials so as you continue reading, be watching for the highlighted links to take you to those previous posts and tutorials.

Basting

If you’re planning to do your own quilting for this quilt I recommend spray basting. I’ve tried a few different brand and hands down I love Odif 505 brand the best. See the step-by-step instructions for how I sandwich my quilt layers and apply the spray baste in the Basting tutorial as part of my Sewcial Bee Sampler Quilt Finishing post.

For all the quilts shown in this post I used Hobbs Tuscany Silk batting inside and love working with it if I’m the one quilting but since I’ve sent my quilts to Lady Belle Fabric with Tuscany Silk batting to use she now carries it as a batting option in her shop because she also loves working with it too!

Quilting

Even if you’re not planning to do your own quilting you’ll still need some inspiration for just how to quilt your quilt. A good long armer will help you decide what may look best.

I personally love an overall design that may not have anything to do with the quilt design at all but that it adds another layer of goodness to the entire finished piece.

It’s certainly not my best work ever but I have my quilt finished and did the quilting myself this time around. I went with one of my favorite quilt designs, the Fan or Baptist Fan design. I’ve a tutorial for how to mark out a quilt and stitch in a continuous line. Read more HERE.

For more information on how I quilt using a mid arm machine and some easy looping stitches read more HERE.

The two Sweet Home Quilts I made in the spring I sent off to Brooke Becker of Lady Belle Fabric to be long arm quilted. The blue quilt above has an overall geometric pattern called Abacus.

This quilt was made for my grandson who love stripes so the diagonal lines of the quilting were just perfect to highlight all the lines already happening in the quilt. I also bound the quilt with light blue Chenille-it Blooming Bias.

For my granddaughter who loves pink and flowers I had Brooke use the Daisy Chain design for the quilting.

Chenille-it Blooming Bias was also used to edge this pretty Sweet Home quilt and I used the natural color for this one. It’s really the perfect finish for this fun quilt.

Binding

The Sweet Home quilt pattern includes information for traditional strip binding as well as how to attach Chenille-it Blooming Bias tape for the binding. I’ve tutorials for both!

Regular Double-fold binding is the most common type of binding and done by cutting width of fabric strips. The Sweet Home quilt pattern includes my method for attaching traditional binding and you’ll also find step-by-step instructions for traditional and bias binding HERE and even more instructions and step-out photos HERE.

Attaching Chenille-it Blooming Bias tape to your quilt for binding is a little different and possibly easier than traditional binding. Faux chenille binding does not fully encase the raw edge of the quilt like traditional binding does so the first thing you’ll want to do it to zig zag or serger the edges of your quilt.

I’ve made a YouTube video that shows you exactly how to apply this fun product to your Sweet Home Quilt.

For my quilt along Sweet Home make I used the Cinnamon colored faux chenille for my binding. Binding is applied in double layers to both the front and the back of the quilt. Below is how the Blooming Bias looks stitched to the edges and before 'blooming' in the laundry.

To “bloom” the bias tape you can run your quilt through a gentle cycle wash in the laundry. Blooming can be done by hand but is more successful if the quilt is laundered.

Toss the quilt into the dryer on a low, gentle tumble. I have dryer balls I use in the dryer that also help to fluff the quilt and dry it faster. I prefer to leave my quilt just a touch damp for reshaping and a light press but you may love a dryer-crinkled quilt so wash and dry like you would normally with your quilts.

Next week it’s all about the big reveals! I’ll show off my lovely Sweet Home quilt with it’s Art Gallery Fabrics Terra Kotta prints and my co-hosts will have their quilts to show off!! I’m excited to see your quilts.

I’m enjoying seeing your postings to Instagram and following along on your progress—you’re all are doing amazing and beautiful work on your Sweet Home quilts—there’s even some finished quilts showing up already!

Don’t forget that this Friday will be a new Friday Giveaway with fabulous prizes from our sponsors. Be following along on Instagram as all the giveaways will be held on that platform and winners will be randomly drawn the following Monday from the #SweetHomeQAL hashtag pool. The quilt along members that post their progress photos to public account on Instagram and use the hashtag #SweetHomeQAL will automatically be entered into every Sweet Home Quilt Along drawing! It’s that easy to enter, so enter often to up your chances!

And, while you’re on Instagram, take a look at the #SweetHomeQAL hashtag on Instagram and see what the other QAL Makers are using in their quilts—it’s an amazing resource not only to see fabrics but to make new friends!

I am an Amazon Associate site and earn from qualifying purchases on the products I’ve linked below. The helpful products selected are the same or similar to materials used to make the project(s) in this blog post or related items I think you may enjoy.

Sewcial Bee Sampler Quilt Finishing

Finishing Your Sewcial Bee Sampler Quilt

Wow, I cannot believe how quickly 26 weeks can go by! All the Sewcial Bee Sampler (SBS) blocks have been released and it's time to put your quilt together. There's only two more weeks to take part in our SBS Survey. Refer back to my last post for all the info and link to the simple eight question survey about your SBS experience. By taking part in the questionnaire my co-host Maureen Cracknell and I can get a better idea as to what we may collaborate on next as well as give us a headcount of actual SBS Makers! Please only take the survey once and much thanks to those who've already responded. 

Surprisingly we still have a few new Makers joining our sew along at this late point. If you're new, be sure to take advantage of the in-blog tutorials for the different patchwork techniques used throughout the Sewcial Bee Sampler. Pick up tips and block variations beginning with the first blog post The Start of Something Sewcial. Both Maureen and I will leave all the SBS downloads up on our blogs for you to download long after this event is done. Also, check out the #SewcialBeeSampler hashtag on Instagram, you'll see an amazing array of beautiful blocks as inspiration overload! Soon, you'll be seeing finished SBS quilts too!

Several of you have decided to skip the sashing between the blocks and make a smaller quilt and that's the beauty of this project that it can be customized to fit your needs. For those of you waiting to add the sashing you can download the PDF instructions for finishing your SBS sampler quilt from my Sew Along page. 

Today's blog post feels a bit epic with all the tutorials I've prepared for finishing your quilt. The following information on spray basting, quilting, and binding is the way I finish all my quilts. That doesn't mean this is the only way to do things--it's simply how I finish my own quilts. I'm by no means an expert quilter and will only touch upon some aspects of machine quilting. You will definitely want to take advantage of the wealth of knowledge professional quilters have posted on their blogs, YouTube videos, and in books. My favorite quilters to follow and resource are: Christina Cameli, Angela Walters, and Christa Watson. They're pros!

You will also want to check out Maureen's blog as she will be giving you additional information with step out photos of adding the sashing and how she has pieced and is quilting her quilt. 

Sashing

Feel free to arrange your SBS blocks anyway you'd like. My first (of the two) sampler I kept all the blocks in order of release but my second quilt I needed to move some of the blocks around for better fabric and color distribution. Be sure all 25 blocks (those with frames and without frames) are squared to 12-1/2" before you start adding the sashing. 

One thing you will notice about the framed blocks is they have an orientation. The opposing sides of the frames are the same size. It doesn't matter if you orient the larger frames on the top and bottom like we've shown in the instructions and in the photo below, or the smaller of the frame sides at the top and bottom, I just suggest orienting the blocks the same way throughout the quilt for a more professional finish. Also be mindful if the prints on your block have an obvious direction and keep them all running the same way as you piece.

Since our sampler quilt is square, how you add the sashing can also your preference and doesn't change the cutting requirements. The instructions are given for making vertical rows adding 2-1/2" x 12-/12" sashing strips between the blocks then joining the rows with long vertical sashing strips. This can easily be flipped and worked the same way as horizontal rows and sashing. 

In example below I used some orphan blocks and Art Gallery Fabrics Pure Elements peach solid sashing to show vertical and horizontal orientation. For the actual Bountiful quilt I chose to use the Pure Elements Snow white solid to match my frames (accentuating the blocks to float on the background) and stitched vertical rows as given in the instructions. For my second SBS quilt the frames and sashing are made from different prints so I felt the prints looked their best with horizontal sashing. 

Follow the instructions on the Finishing PDF for cutting number and size of sashing. To make the long sashing strips needed for between the rows, stitch the remaining (11) 2-1/2" x 42" strips short ends together to make one long strip.

Press your seams toward the sashing to reduce bulk and press each block/sashing row well. Measure each block/sashing row without stretching the material. Average those numbers and cut 6 sashing strips to this measurement from the long strip. Sew the long sashing strips alternately together with the block/sashing rows to make the top. Press top well.

Cut and piece the backing to measure 3''-4'' larger on all sides than your quilt top (as sizes will vary depending upon if you added sashing or not) using a 1/2" seam allowance. I prefer to use a 1/2" seam allowance on the backing seam to add strength to the seam. Press the seam open to reduce bulk. Press backing well.

Cut batting to the same size (or slightly smaller) than the backing. For my quilts I'm using Hobbs batting products courtesy of our generous sponsor. Part of the grand finale package will include the Tuscany Wool and Tuscany Silk queen size battings just like the ones Maureen and I are using in our quilts.

Spray Basting

Again, this is a personal preference on how you baste together the layers of your quilt. If you intend to send your top off to be quilted by a longarm quilter you can skip to the Binding section. I like spray basting for two reasons: No pins to put in and no pins to remove when machine quilting. Second, I feel I get a much smoother finished quilt because of the terrific surface contact between the layers. It's totally your choice how to sandwich the layers but I will show you how I do it. There are many YouTube tutorials by industry professionals on this subject if you need more information.

Suggested supplies: Knee pads, duct tape, and 505 basting spray. I love the 505 brand of basting spray. I buy it in bulk and go straight for the large cans! I do have an affiliation link for this product on my right side bar with Amazon. If you are at all interested in purchasing this product I'd greatly appreciate you using my affiliate link. It's not like I'll get rich but every penny does help defer some of my expenses of producing this blog. 

I use my garage floor as my large, flat surface for spray basting. My garage floor is free of any oil or grease stains and a simple sweep before I begin is the only prep I need. I don't protect the floor from overspray but if that's a concern, you may want to add cardboard, kraft paper, or some other ink free paper product to the supply list and tape down it around the spray area before you begin.

Lay the backing wrong side up and use the duct tape to hold the backing to the flat surface. Don't stretch the backing tight, but keep it relaxed and ripple free as possible. On a quilt this size, I use about three pieces of tape per side. Once the backing is secure, open the cut-to-size batting and center it onto backing.

Once the batting is opened, smoothed, and centered, pull half of the batting back to reveal the backing. Following the manufacturer's instructions on the spray baste and spray about a 12" wide section of spray baste onto the wrong side of the backing parallel to the folded back batting. Lift batting and smooth out onto spray basted section working from the center outward. 

Continue spray basting and smoothing sections of batting in the same manner till the half of the backing is covered. Pull back the other half of the batting and repeat until the batting and backing are adhered and smooth. 

Adhere the top in the same manner by first centering the top on the backing/batting sandwich. Pull half of the top back and apply the spray bast in sections to the batting. Smooth the top out from the center as you go until the quilt sandwich is done. Remove the tape and bring your quilt inside. I like to let it rest and dry a bit before I start quilting. I have no idea if that is a thing, to let it rest, but it's what I do.

Before I start any quilting I turn the quilt sandwich over so the backing is right side up and give it a check over for smoothness. The nice thing about spray baste is it's repositionable and if you need to lift a layer to flatten it out you can without losing any integrity. Work from the center outward if you need to fix and puckering. 

Machine Quilting

Choosing a thread color and quilting design can feel overwhelming sometimes. Both of these aspects of quilting are purely a personal choice. My suggestion is that if you are new to machine quilting and plan to take on the job yourself, choose a thread color that blends with the quilt so it will be less noticeable. I use a 50 or 40 weight thread. 50 wt will be thinner than a 40 wt and thinner thread equals less visible.

The best way to judge how a thread color will look on your quilt is to pull out a strand of thread and lay it across a section of the quilt. You can see how what looked like bold colors on the cone almost negate out to about the same look when seen just as strands on the second photo. I went with the cream thread (bottom right) for the top thread and white thread for the bobbin. You don't have to use the same color for the top and bobbin thread if you don't want to. 

I have a Husqvarna Platinum 16 midarm machine. This type of quilting machine has a 16" arm to accommodate the bulk of a quilt better than a domestic machine can and is also called a sit down machine. The machine is stationary and only the needle moves up and down. There's no feed dogs. It's a free-motion machine and I need to move the quilt under it to quilt. I keep the areas of quilt not being quilted rolled up and on the table so the quilt top doesn't drag and pull as I quilt.

As I said earlier in this post, I'm not a professional quilter. I get by. I call my quilting organic because it's not perfect and lines are not straight. You will see the full quilt reveal next week and I will talk more about my quilting choices for the two quilts. For my Bountiful quilt I went with a very simple loop pattern that when overlapped creates a circle in the overlap. My second quilt I intend to do a denser floral design but I haven't gotten that one finished yet. I do have a tutorial on my Tutorials page for how to quilt a Baptist Fan pattern that is one of my favorite patterns. You can find tons of quilting pattern inspiration online or through the professional quilters resources I listed earlier. The type of quilting design that appeals to you is the best one to choose. Keep in mind the complexity and your skill level when choosing, so you don't get frustrated.

Binding

There are many ways to make binding. For the Sewcial Bee Sampler I chose double-fold regular binding. If you'd like to make bias binding, refer to my How to Bind a Quilt tutorial on my Tutorial page. 

Cut (8) 2-1/4" x 42" binding strips according to the PDF instructions. Place two strips right sides together at right angles. Sew with a diagonal seam (I've shown a drawn diagonal line on the first photo). Continue adding strips in the same manner to make one long binding strip. Trim seams to 1/4".

Press seams open to reduce bulk. Fold the strip lengthwise in half with wrong sides together. Press.

Roll the quilt parallel to a side of the quilt to be stitched for ease of handling while attaching the binding. Starting at the center of the exposed edge of the quilt top, place the folded binding on the front of the quilt with raw edges aligned. Leaving 12" of the binding strip free, begin stitching with a 1/4" seam allowance. Sew to the corner and backstitch 1/4" from the edge. Remove the quilt from the machine and refold so the new edge to be sewn is exposed.

Fold the strip up at a 45° angle and then back down over itself, lining up the raw edges to make a mitered corner. 

Resume stitching, beginning at the top edge of the new side and continuing around the quilt to the next corner and backstitch 1/4" from the edge. Remove the quilt from the machine, re-roll to expose the new edge and continue around the quilt to within 12" of the starting point. Tip: I like to miter the final corner and stitch a little way into the beginning side, ending with a backstitch, before removing the quilt for the final steps. 

Lay the quilt top on a flat surface. Bring the loose ends of the binding together so the binding and quilt lie flat. Fold the binding ends back onto themselves so the folded edges touch but do not overlap. Finder press to crease. Open the binding. Note: I've marked the creases with an air solvable pen on the wrong side of the left end and on the right side of the right end so you can see the creases better. 

Place the strips at right angles, rights sides together, left end over right end, using the creases to align the strips as shown. Pin the ends together on the diagonal away from the center diagonal seamline. Draw a diagonal line from the corner intersections. Sew on the line. 

Before trimming the seam allowance, refold the binding and check that it lies flat on the quilt top. Adjust the stitching if necessary. Trim the seam allowance to 1/4" when satisfied. 

Pin the binding down and sew to the remaining edge of the quilt top, ending with a backstitch. Trim the backing and batting even with the quilt top. 

Turn the binding to the back of the quilt and blind stitch by hand or machine stitch to finish. I always hand stitch my binding and like to use office supply binding clips to hold it in place as I sew. My woven cotton labels were made by Custom Couture Label Company. Not an affiliate but I love their products anyway. 

Okay, wow, that felt like a lot of information but I know it's not possibly enough to answer all your questions. Use the internet, books, and other quilters to help fill in the gaps I've not covered here. I have only gone over the steps I have used to finish my quilts and there are many other ways to achieve the same end results, find what works best for your skill level and needs. Next week will be the full reveal of my quilts and of course our grand finale giveaway prize. 

This Friday we still have another Giveaway Friday! Maureen will be hosting the giveaway from her blog and our sponsor is the the fabulous Circa 15.

Aurifil      Circa 15      The Intrepid Thread      Fat Quarter Shop      Omnigrid      Llama Fabrics      Color Girl     Lady Belle Fabric      Needle in a Fabric Stash      Dritz      Knotted Thread    Needle and Foot      Stash Builder Box    Hobbs Batting   Thread Cutterz